Know About and so to Bed - an Overview of and so to Bed

An overview of and so to bed

Roles of and so to bed

Marie, his daughter (soprano)

Count Liebenau, nobleman in disguise as "Konrad", a journeyman blacksmith (baritone)

Georg, Count Liebenau's squire (tenor)

Adelhos, a knight (baritone)

Irmentraut, Marie's governess (contralto)

Brenner, an innkeeper and Standinger's brother-in-law (tenor)

Synopsis of and so to bed

Count von Liebenau loves Marie, the daughter of the armorer Stadinger (who is also a veterinarian) and wants nothing to do with Frulein von Katzenstein. He wants her to love him for his own sake and not because of his noble title. Since the Stadinger also has rejected the noble candidate - because his wife was abducted by a Knight - Liebenau has come to work for him as a blacksmith journeyman named Konrad. Poor Marie is in distress, should she give her heart to the noble Knight or a simple blacksmith, because she loves both of them.

Stadinger invites his companions to his 25th anniversary of becoming a master armorer the next day after work. Entrusting Georg (Liebenau's Squire posing with his master as a blacksmith) for the arrangements because Stadinger must make a vet call on some sick cows. Georg sings of the joys of life (Man wird ja einmal nur geboren). Liebenau appears in his true form as a rich knight after all have gone to bed, yet once more makes love to Marie, and put her to the test (Gern gb ich Glanz und Reichtum hin). But Marie finally rejects him, because she loves Konrad. She begins to doubt the sincerity of the count's love. Georg announces that Stadinger has returned. He discovers the count and Georg helps Liebenau to escape. After the commotion sparked by Stadinger has died down, Marie returns and listens at Konrad's door. Because he doesn't stir, she wishes him good night at his closed door (Er schlft).

Act 2

Liebenau in the role of the jealous journeymen Konrad, accuses Marie, of having she a tryst with a count. After a short argument they are reconciled. In an intricate kissing scene, which also Irmentraut and Georg are involved, the suspicious Stadinger bursts in and tries in vain to find out who kissed who. Stadinger decides Konrad is fickle. The confusion becomes even greater when in waddles the Knight Adelhof, who warns Stadinger that Count Liebenau would like to see Konrad married to Marie. But Stadinger doesn't like the journeyman Konrad. Stadinger decides to marry his daughter off to Georg so that neither Konrad nor the Count will get her. Georg declines the offer.

At Stadinger's celebration Georg has to sing a song (War einst ein junger Springinsfeld). The party is abruptly interrupted by the Irmentraut who says that the Count has kidnapped his daughter. In fact the Count has put on this kidnapping by his men, so that as Konrad he can rescue her. He hopes that Stadinger will then give him Marie's hand out of gratitude. Stadinger thinks of sending her to a nunnery instead since he doesn't like Konrad.

Act 3

Marie complains of women's lot in life (Wir armen, armen Mdchen). To break Stadinger's obstinacy Liebenau has his armed men marching around the city. Stadinger's brother in-law reads aloud a letter allegedly from the City Council, in which Stadinger is required to marry his daughter to Konrad to keep the civic peace. Now, he has to give his consent. While he remembers his youth and how good life used to be (Auch ich war ein Jngling mit lockigem Haar).

The royally arrayed Knight comes with his young wife and numerous followers to thank his new father-in-law. Stadinger is incensed when he realizes that Count Liebenau and the journeyman Konrad are one and the same person and he has been outsmarted, but he finally blesses the couple and is satisfied with the turn of events.